Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's 'Symphony No. 50 in C Major, Hob. I:50: IV. Finale. Presto' came out on April 26, 2024. With this song being about 5 minutes long, at 5:23, "Symphony No. 50 in C Major, Hob. I:50: IV. Finale. Presto" by Joseph Haydn, Kammerorchester Basel, Giovanni Antonini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Kammerorchester Basel, Giovanni Antonini's "Haydn 2032, Vol. 15: La Reine" album is number 12 out of 12. On top of that, France appears to be the country where this track was created. Symphony No. 50 in C Major, Hob. I:50: IV. Finale. Presto is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 50 in C Major, Hob. I:50: IV. Finale. Presto by Joseph Haydn, Kammerorchester Basel, Giovanni Antonini to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude, opus 28 - No.7 | Frédéric Chopin, Ensemble Ferblanc | A Major | 0 | 11B | 77 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
L'Amant anonyme: Ouverture: II. Andante | Joseph Bologne, Chevalier de Saint-Georges, La Cetra Barockorchester Basel, Andrea Marcon | F Major | 1 | 7B | 138 BPM | ||
Flute Trio No. 3 in G Major, Hob. IV:3: I. Spirituoso | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal | G Major | 1 | 9B | 138 BPM | ||
Symphony No. 4, Op. 90, "Italian": II. Andante con moto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Lambs Are Sleeping | Traditional, Neurological Waves Science | G Major | 0 | 9B | 112 BPM | ||
Sinfonia concertante in E-Flat Major, W. C37: II. Allegro | Johann Christian Bach, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | B♭ Minor | 0 | 3A | 69 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Wybór z Aktu I: Uwertura | Lenka Cafourkova, Natalia Rubiś-Krzeszowiak, Krystian Adam, Vaclav Cizek, Jan Martinik, Tomas Kral, Collegium vocale 1704, Collegium 1704, Vaclav Luks | D Major | 2 | 10B | 95 BPM |