"A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace" by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop was released on April 1, 2005. The duration of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 22 in Bartok: Miraculous Mandarin (The) (Complete Ballet) / Hungarian Pictures / Dance Suite by Béla Bartók. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto | Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano | G Major | 0 | 9B | 89 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 3. Allegretto | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM |