"Classical Suite: I. Prelude" by Lynn Palmer, Judy Loman was released on July 21, 2002. The duration of Classical Suite: I. Prelude is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Classical Suite: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marcel Grandjany, Alphonse Hasselmans, John Parry, Marcel Tournier, Henriette Renié, Sophia Dussek, Carlos Salzedo, Elias Parish Alvars, Lynn Palmer, John Thomas's "Harp Showpieces" album is number 15 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Classical Suite: I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Classical Suite: I. Prelude by Lynn Palmer, Judy Loman to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera | Nora Mercz, Maurice Ravel, Janos Balint | G Minor | 0 | 6A | 70 BPM | ||
Excerpts From 15 Pieces For Harp:quarks | John Weinzweig, Judy Loman | E♭ Minor | 1 | 2A | 153 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
3 Piano Pieces, Op. 54: I. Vesipisaroita (Raindrops) | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM | ||
The Moon in the Labyrinth: IV. Fast and Frenzied | Raymond Luedeke, Judy Loman, Orford String Quartet | D Major | 1 | 10B | 105 BPM | ||
11 Pezzi infantili, Op. 35: X. Berceuse | Alfredo Casella, Luca Ballerini | E♭ Major | 0 | 5B | 78 BPM | ||
La vida breve, Act II: Danse espagnole No. 1 | Manuel de Falla, Judy Loman | E Minor | 1 | 9A | 79 BPM | ||
Sonata, K. 27 – Allegro | Domenico Scarlatti, Judy Loman | D Major | 1 | 10B | 99 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM |