"Hildegard of Bingen: Mattins Antiphons for St Ursula" by Hildegard von Bingen, Girl Choristers & Lay Clerks Of Winchester Cathedral, Emily Dickens, Sarah Baldock, Tempe Nell, Elizabeth French, Josie Filmer was released on August 25, 2017. With Hildegard of Bingen: Mattins Antiphons for St Ursula being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 100 in the song's album "Sacred Chant". In this album, this song's track order is #72. Furthermore, we believe that the track originated from United States. In terms of popularity, Hildegard of Bingen: Mattins Antiphons for St Ursula is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hildegard of Bingen: Mattins Antiphons for St Ursula by Hildegard von Bingen, Girl Choristers & Lay Clerks Of Winchester Cathedral, Emily Dickens, Sarah Baldock, Tempe Nell, Elizabeth French, Josie Filmer having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tempo Della Glora E Della Vita. Canto Al Vangelo: Oportebat | Canonici Regolari Si Sant'Antimo | F Major | 1 | 7B | 131 BPM | ||
Gloria from Easter Liturgy Mass | The Benedictine Nuns of St. Cecilia's Abbey | F Major | 1 | 7B | 72 BPM | ||
O dulcissime amator | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 0 | 8A | 74 BPM | ||
Antiphona, Nunc Gaudeant 57, In dedicatione Ecclesiae (VI). Psalmus 86: Fundamenta ejus in montibus Sanctis | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori, Giulia Peri | B Major | 5 | 1B | 114 BPM | ||
Abelard and Heloise, from Saint-Denis to the Paraclete Monastic Song: Planctus cigne | Peter Abelard, Paul Hillier, Theatre Of Voices | B Major | 0 | 1B | 133 BPM | ||
Assumpta Est Maria E Magnificat | Benedettini Abbazia di San Paolo fuori le mura | E Major | 1 | 12B | 133 BPM | ||
Hymn: Veni, Creator | The Benedictine Nuns of St. Cecilia's Abbey | B♭ Major | 1 | 6B | 81 BPM | ||
Dominica Resurrectionis: IV. Offertorium (Terra tremuit) | Gregorian Chants, Karel Frana, Boni Puncti | B♭ Minor | 5 | 3A | 130 BPM | ||
Alleluia. Confitemini... Quoniam Bonus | Benedettini Abbazia di San Paolo fuori le mura | E Major | 1 | 12B | 71 BPM | ||
Studium divinitatis (Zeal of divinity) | Hildegard von Bingen, David Bevan, Ciaran O'Keefe, Hannah Taylor, Zachary Taylor, Oxford Girls' Choir, Richard Vendome | D Minor | 0 | 7A | 87 BPM |