"Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello)" by Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan was released on April 29, 2008. Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There is only one song in 40 Most Beautiful Arias (international version), so we believe that "Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello)" is a single. The popularity of Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) by Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan is Presto (very, very fast), since this song has a tempo of 181 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto) | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Major | 1 | 7B | 85 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 118 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" | Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark | C Minor | 3 | 5A | 71 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
Cavalleria Rusticana: Easter Hymn | Pietro Mascagni, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | G Major | 1 | 9B | 157 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM |