"Andante sostenuto für Oboe und Harfe" by Gaetano Donizetti, Lajos Lencsés, Rachel Talitman was released on January 1, 1990. With this song being about 5 minutes long, at 4:32, "Andante sostenuto für Oboe und Harfe" by Gaetano Donizetti, Lajos Lencsés, Rachel Talitman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 4 in Antonio Pasculli, Gaetano Donizetti, Henri Brod & Robert Nicolas Charles Bochsa: Romantische Raritäten Für Oboe Und Harfe (Romantic Rarities for Oboe and Harp) by Lajos Lencsés, Rachel Talitman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Andante sostenuto für Oboe und Harfe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Andante sostenuto für Oboe und Harfe by Gaetano Donizetti, Lajos Lencsés, Rachel Talitman is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
Le carnaval des animaux, R. 125: XIII. Le cygne | Camille Saint-Saëns, Eva Oertle, Consuelo Giulianelli | G Major | 1 | 9B | 129 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
The Minstrel's Adieu to his Native Land | John Thomas, Judy Loman | A♭ Minor | 1 | 1A | 81 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Oboe Concerto in C Major, L. 40a: II. Andante | Carl Ditters von Dittersdorf, Lajos Lencsés, Franz Liszt Chamber Orchestra, János Rolla | F Major | 0 | 7B | 98 BPM |