"24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos)" by Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson was released on June 9, 2023. With 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The Chopin Project : Trilogy". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) by Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: II. Romanze (Andante non troppo con grazia) | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 100 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: I. Andante - Moderato | Dmitri Shostakovich, Hans Pålsson, Arve Tellefsen, Frans Helmerson | A Major | 1 | 11B | 84 BPM | ||
Syncopation | Fritz Kreisler, Janine Jansen, Antonio Pappano | G Major | 1 | 9B | 156 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Pavane | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Suite for Cello and Piano, Op. 16: II. Sérénade | Camille Saint-Saëns, Camille Thomas, Julien Libeer | C Minor | 1 | 5A | 81 BPM | ||
Violin Concerto in D Major, Op. 3, No. 1: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Minor | 0 | 7A | 96 BPM | ||
Violin Sonata in A Major, M. 8 (arr. for cello and piano): II. Allegro | Anonymous, César Franck, Hans Pålsson, Frans Helmerson | D♭ Major | 1 | 3B | 62 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM |