Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge's 'L'elisir d'amore / Act 1: "Caro elisir! Sei mio!"' came out on January 1, 1971. With L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. In terms of popularity, L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" by Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 1: Sai com'arde in petto mio | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge | A Major | 2 | 11B | 140 BPM | ||
Il Trovatore / Act 4: "Vivrà!...contende il giubilo" | Giuseppe Verdi, Joan Sutherland, Ingvar Wixell, National Philharmonic Orchestra, Richard Bonynge | F Major | 3 | 7B | 76 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Recitativo. "Ah! barbiere d'inferno" (Bartolo, Basilio) | Gioachino Rossini, James Levine, Renato Capecchi, Ruggero Raimondi, London Symphony Orchestra | G Major | 2 | 9B | 117 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 2, Terzetto. "È la fede delle femmine" (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E Major | 2 | 12B | 103 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
La Bohème / Act 3: "Mimì! - Speravo di trovarvi qui" | Giacomo Puccini, Rolando Panerai, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 78 BPM | ||
Norma / Act 1: Oh! rimembranza! | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | F Minor | 1 | 4A | 107 BPM | ||
Puccini: Madama Butterfly, Act 1: "Quale smania vi prende?" (Sharpless, Pinkerton) | Giacomo Puccini, Sir John Barbirolli, Carlo Bergonzi, Rolando Panerai, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 64 BPM | ||
Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
Puccini: La bohème, Act 4: "In un coupé?....Con pariglia e livree" (Marcello/Rodolfo) | Giacomo Puccini, Rolando Panerai, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | G Minor | 2 | 6A | 109 BPM |