"Variations on an Original Theme, Op. 36, "Enigma": Var. XI (G.R.S.)" by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst was released on December 4, 1997. With Variations on an Original Theme, Op. 36, "Enigma": Var. XI (G.R.S.) being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 17 in Elgar: Enigma Variations / In the South / Coronation March by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Variations on an Original Theme, Op. 36, "Enigma": Var. XI (G.R.S.) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op. 36, "Enigma": Var. XI (G.R.S.) by Edward Elgar, Bournemouth Symphony Orchestra, George Hurst is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Golden Age Suite, Op. 22a: Polka | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | C Minor | 1 | 5A | 108 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | E♭ Major | 0 | 5B | 126 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Martha Argerich, Royal Philharmonic Orchestra, Charles Dutoit | D Major | 2 | 10B | 137 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Billy the Kid Suite: I. Introduction. The Open Prairie | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 58 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Major | 4 | 9B | 80 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | D Minor | 1 | 7A | 97 BPM |