"Pierrot: I. Pierrot" by Thea Musgrave, Victoria Soames-Samek, David le Page, Mark Troop was released on January 1, 2002. The duration of Pierrot: I. Pierrot is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Pierrot: I. Pierrot's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Thea Musgrave: Chamber Music for Clarinet, Vol. 1 – Pierrot Dreaming". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pierrot: I. Pierrot's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot: I. Pierrot by Thea Musgrave, Victoria Soames-Samek, David le Page, Mark Troop having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Fourteen Pieces for Flute and Piano, Op. 157b: VII. Beau soir (Large) | Charles Koechlin, Toon Fret, Veronika Iltchenko | A Minor | 0 | 8A | 74 BPM | ||
Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120 No. 1: III. Allegretto grazioso | Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau | B♭ Major | 3 | 6B | 103 BPM | ||
The Tempest: Suite No. 2, Op. 109: II. Intermezzo | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A♭ Minor | 0 | 1A | 57 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Bartók / Arr. Székely: 3 Hungarian Folksongs from Csík, Sz. 35a: No. 1, The Peacock. Rubato | Béla Bartók, Kalman Berkes, Dezsö Ranki | D Minor | 1 | 7A | 95 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 1, Seit ich ihn gesehen | Robert Schumann, Claudia Barainsky, Delian Quartett | B♭ Major | 0 | 6B | 80 BPM | ||
Pierrot: IV. Harlequin | Thea Musgrave, Victoria Soames-Samek, David le Page, Mark Troop | B♭ Minor | 1 | 3A | 69 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: III. Madrigal | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Symphony No. 4 in F Minor Op. 36: II. Andantino in modo di canzona - Piu mosso | Pyotr Ilyich Tchaikovsky, Tokyo Symphony Orchestra, Jonathan Nott | B♭ Minor | 0 | 3A | 131 BPM |