Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek's 'Spanish Capriccio in A Major, Op. 34: V. Fandango asturiano' came out on August 2, 2001. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Rimsky-Korsakov: Capriccio Espagnol, Scheherazade". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Czechia. In terms of popularity, Spanish Capriccio in A Major, Op. 34: V. Fandango asturiano is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Spanish Capriccio in A Major, Op. 34: V. Fandango asturiano by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Face Off | Michael Kamen, Czech Philharmonic Orchestra | B Major | 1 | 1B | 136 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assai | Johannes Brahms, David Zinman | G Major | 0 | 9B | 86 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | G Major | 0 | 9B | 168 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Duke's Command - Interlude | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 3 | 7B | 125 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM |