"A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno" by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1994. A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's "Mendelssohn: A Midsummer Night's Dream" album is number 8 out of 15. A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno by Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | A Major | 0 | 11B | 79 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Polovetsian Dances from Prince Igor: Allegro | Alexander Borodin, George Szell, Cleveland Orchestra | D Major | 2 | 10B | 108 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 4. Langsam - Lebhaft - Schneller - Presto | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 74 BPM | ||
Piano Trio No. 1 in D minor, Op. 49: Molto allegro agitato | Felix Mendelssohn, Leonidas Kavakos | D Minor | 2 | 7A | 148 BPM | ||
Apollon Musagète (1947 Version) / Premier Tableau (Prologue): Naissance d'Apollon Largo - Allegretto - Tempo I | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Menuet antique (version for orchestra) | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | F♯ Major | 0 | 2B | 65 BPM |