"Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico)" by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe was released on January 1, 1972. Since Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 7 in Bruch: Violin Concerto No.1; Scottish Fantasia by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) by Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Waldszenen, Op. 82: III. Einsame Blumen | Robert Schumann, Maria João Pires | B♭ Major | 1 | 6B | 97 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di Menuetto | Wolfgang Amadeus Mozart, Arabella Steinbacher, Daniel Dodds, Lucerne Festival Strings, Festival Strings Lucerne (musical direction) | A Major | 1 | 11B | 118 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Chant du Ménestrel, Op. 71 | Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 82 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM |