Alexandre Pierre François Boëly, Stephanie McCallum made "24 Pièces, Op. 20: No. 1, Valse" available on June 1, 2018. The duration of 24 Pièces, Op. 20: No. 1, Valse is about 3 minutes long, at 3:29. Based on our data, "24 Pièces, Op. 20: No. 1, Valse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 31 in Boëly: Piano Music, Vol. 1 by Alexandre Pierre François Boëly, Stephanie McCallum. In terms of popularity, 24 Pièces, Op. 20: No. 1, Valse is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 24 Pièces, Op. 20: No. 1, Valse by Alexandre Pierre François Boëly, Stephanie McCallum is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Präludium, H-U 214 | Fanny Mendelssohn, Sontraud Speidel | C Major | 3 | 8B | 165 BPM | ||
Allegro 2 | The Electro Classic Project | B Minor | 6 | 10A | 100 BPM | ||
Concerto Grosso Op. 6 No. 4: I. Adagio - Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 4 | 3B | 130 BPM | ||
Suite in B-Flat Major, HWV 434: II. Sonata - Allegro | George Frideric Handel, Ragna Schirmer | D Minor | 0 | 7A | 176 BPM | ||
Scarlatti, D: Keyboard Sonata in E Major, Kk. 531 | Domenico Scarlatti, Scott Ross | D♭ Major | 5 | 3B | 116 BPM | ||
Hymn, Ave Maris Stella: II. Fugue à 4 | Nicolas de Grigny, Alexandre Pierre François Boëly, André Isoir | F Major | 0 | 7B | 168 BPM | ||
L'art de toucher le clavecin: No. 1, Prelude in C Major | François Couperin, Andrew Appel | A♭ Minor | 3 | 1A | 119 BPM | ||
Pièces de clavecin avec une méthode, Suite in D Major, RCT 3 (Arr. for Accordion by Janne Valkeajoki): IV. La joyeuse | Jean-Philippe Rameau, Janne Valkeajoki | A Minor | 2 | 8A | 70 BPM | ||
Fantasia No. 1 in B-Flat Major, TWV 40:14: II. Allegro | Georg Philipp Telemann, Federico Guglielmo | A Major | 1 | 11B | 119 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM |