Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi made "Placida surge aurora, S. 232: No. 2, In tanta horroris nocte" available on January 19, 2024. With Placida surge aurora, S. 232: No. 2, In tanta horroris nocte being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Porpora: Music for the Venetian Ospedaletto". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Spain. Placida surge aurora, S. 232: No. 2, In tanta horroris nocte is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Placida surge aurora, S. 232: No. 2, In tanta horroris nocte by Anonymous, Nicola Porpora, José Maria Lo Monaco, Stile Galante, Stefano Aresi having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
Tempo Della Chiesa. Agnus Dei: 11 | Canonici Regolari Si Sant'Antimo | A♭ Major | 1 | 4B | 79 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 1, Lord, Save the Pious | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | F♯ Major | 0 | 2B | 171 BPM | ||
Song of the Cherubim No. 7 | Lege Artis Chamber Choir, Boris Abalyan | G Minor | 2 | 6A | 176 BPM | ||
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | ||
Alleluia. Dies sanctificatus - In Nativitate Domini ad Missam in die | Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | E Minor | 1 | 9A | 82 BPM | ||
Veni, Creator Spiritus - Hymnus (tonus monasticus) in Festo Pentecostes | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | B♭ Major | 1 | 6B | 71 BPM | ||
Tota pulchra es | Coro De La Abadía Benedictina De Santo Domingo De Silos | D Major | 2 | 10B | 137 BPM | ||
Pange Lingua Gloriosi: Chant Mode III | Chant Mode III, St. Thomas Aquinas, Catherine Bridge, Pam Erven-Sukonik, Kari Ferguson, Katherine Fitzgibbon, Anna Haagenson, Maria Karlin, Emily Kinkley, Stephanie Kramer, Catherine van der Salm, Angela Westhoff-Johnson | C Minor | 0 | 5A | 123 BPM | ||
Répons bref "De ore leonis" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A Major | 0 | 11B | 78 BPM |