"Alleluia. Dies sanctificatus - In Nativitate Domini ad Missam in die" by Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. was released on January 1, 1986. With Alleluia. Dies sanctificatus - In Nativitate Domini ad Missam in die being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J.'s "Gregorian Chant: Hymns and Vespers for the Feast of the Nativity" album is number 6 out of 22. On top of that, Netherlands appears to be the country where this track was created. Alleluia. Dies sanctificatus - In Nativitate Domini ad Missam in die is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alleluia. Dies sanctificatus - In Nativitate Domini ad Missam in die by Gregorian Chant, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vultum Tuum | Schola Gregoriana Del Coro F. Paer | F Major | 1 | 7B | 114 BPM | ||
I Weep And Sob | The Sirin Choir, Choirmaster: Andrey Kotov | A♭ Major | 1 | 4B | 139 BPM | ||
Exaposteilarion: "Thy Bridal Chamber" - arr. A Khalil | Archangel Voices | G Major | 1 | 9B | 81 BPM | ||
Recordare Virgo Mater | Monks Of The Abbey Of Notre Dame | G Major | 0 | 9B | 81 BPM | ||
Missa de angelis - Credo | Nova Schola Gregoriana, Alberto Turco | A Major | 0 | 11B | 113 BPM | ||
Offertorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B♭ Minor | 1 | 3A | 133 BPM | ||
Salve Regina | Cantores 'Regina Caeli' | B Minor | 1 | 10A | 139 BPM | ||
6ème dimanche de Pâques: Alleluia: Exivi | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard | F♯ Major | 0 | 2B | 102 BPM | ||
Messe de Saint Joseph: Chant d´entrée: Justus ut palma | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard | A♭ Major | 1 | 4B | 77 BPM | ||
Lamentation of the Prophet Jeremiah | Lucien Deiss, CSSp | D♭ Major | 0 | 3B | 71 BPM |