Hubert Parry, Andrew Davis, BBC Symphony Orchestra's 'Parry: Jerusalem (Arr. Elgar)' came out on December 9, 2008. The duration of Parry: Jerusalem (Arr. Elgar) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Parry: Jerusalem (Arr. Elgar)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 40 Most Beautiful Classical Anthems, so we believe that "Parry: Jerusalem (Arr. Elgar)" is a single. Parry: Jerusalem (Arr. Elgar) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Parry: Jerusalem (Arr. Elgar) by Hubert Parry, Andrew Davis, BBC Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights - Narrative suite from the complete ballet | Sergei Prokofiev, Toronto Symphony Orchestra, Jukka-Pekka Saraste | D Minor | 0 | 7A | 137 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Colonel Bogey March (From "The Bridge on the River Kwai") | Kenneth Alford, Australian Army Band (Perth), Craig Johnson | B♭ Major | 5 | 6B | 143 BPM | ||
Elgar : 5 Pomp And Circumstance Marches : No.1 in D major [Land of Hope and Glory] | Edward Elgar, Last Night Of The Proms - The 100th Season, Andrew Davis, BBC Symphony Orchestra | D Major | 4 | 10B | 126 BPM | ||
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 3 | 9A | 139 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 6 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | F♯ Major | 1 | 2B | 83 BPM |