"Cinq Humoresques: II. À la fontaine" by Louis Beydts, Cyrille Dubois, Tristan Raës was released on March 15, 2024. The duration of Cinq Humoresques: II. À la fontaine is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Cinq Humoresques: II. À la fontaine's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Beydts, Cyrille Dubois, Tristan Raës's "Louis Beydts: Mélodies & Songs" album is number 26 out of 36. On top of that, France appears to be the country where this track was created. Based on our statistics, Cinq Humoresques: II. À la fontaine's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cinq Humoresques: II. À la fontaine by Louis Beydts, Cyrille Dubois, Tristan Raës to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM | ||
Poèmes pour Mi, Premier Livre: No. 2, Paysage | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
Six Ballades françaises: VI. Si le bon Dieu l'avait voulu… | Louis Beydts, Cyrille Dubois, Tristan Raës | E♭ Minor | 1 | 2A | 68 BPM | ||
Cura Emocional | Sinta Positivo | B♭ Major | 0 | 6B | 73 BPM | ||
Clairieres dans le ciel: Elle etait descendue | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | A Major | 0 | 11B | 66 BPM | ||
2 Mélodies hébraïques, M.22: 1. Kaddisch | Maurice Ravel, Nora Fischer, Daniel Kool | A Minor | 1 | 8A | 132 BPM | ||
Variations: Piano Alone | John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin | E Major | 2 | 12B | 68 BPM | ||
D'Ombre et de soleil: II. Toi qu'empourprait l'âtre d'hiver… | Louis Beydts, Cyrille Dubois, Tristan Raës | E♭ Minor | 1 | 2A | 68 BPM | ||
Reflets | Lili Boulanger, Sonia de Beaufort, Alain Jacquon | D Major | 1 | 10B | 85 BPM |