"Conductus Deus misertus hominis" by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Daniela Cermakova, Kamila Mazalová was released on 2015. The duration of Conductus Deus misertus hominis is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Conductus Deus misertus hominis's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Von Bingen: Ego sum homo by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková. The song's track number on the album is #13 out of 15 tracks. Conductus Deus misertus hominis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Conductus Deus misertus hominis by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Daniela Cermakova, Kamila Mazalová has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Conductus Deus misertus hominis being at 81 テンポ, the half-time would be 40 テンポ with a double-time of 162 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Amour m'a le cuer mis en tel martire (ballade) | Anthonello de Caserta, Gérard Lesne, Alla Francesca | B♭ Minor | 0 | 3A | 80 BPM | ||
Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
Ordo Virtutum, Prolog: Virtutes | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | B Minor | 0 | 10A | 70 BPM | ||
Miserere, Op.44: 5. Domine Deus noster-Meno mosso, lento molto tranquillo. Tender | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 80 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM |