Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La's 'Sonata for 2 Violins, Op. 5, No. 7: II. Adagio' came out on January 1, 2002. With Sonata for 2 Violins, Op. 5, No. 7: II. Adagio being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Battista Mazzaferrata, Stefano Montanari's "Mazzaferrata: Primo Libro Delle Sonate A 2 Violini (Il)" album is number 26 out of 49. On top of that, Italy appears to be the country where this track was created. Sonata for 2 Violins, Op. 5, No. 7: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for 2 Violins, Op. 5, No. 7: II. Adagio by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 6 for Three Cellos in D Minor: I. Andantino posato | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | E♭ Minor | 1 | 2A | 143 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Minor | 1 | 9A | 92 BPM | ||
Sonata for 2 Violins, Op. 5, No. 10: III. Adagio | Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La | A Major | 1 | 11B | 130 BPM | ||
Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
Baryton Trio in A Major, Hob. XI:35: II. Allegro molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sonata for 2 Violins, Op. 5, No. 2: IV. Vivace | Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La | A Minor | 3 | 8A | 110 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Pieces in G Major: II. Entrée des Espagnolles | Jean-Baptiste Lully, Jakob Lindberg | G Minor | 1 | 6A | 83 BPM | ||
Concerto for Harpsichord in D Minor, BWV 1059r: III. Presto | Johann Sebastian Bach, Combattimento | D Minor | 5 | 7A | 95 BPM |