"Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro" by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium was released on April 11, 2023. The duration of Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Pietro Antonio Locatelli: Sei Introduttioni teatrali, Op. 4". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recorder Concerto No. 9 in A Minor: V. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 109 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 5: I. Allegro - | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto C fur Blockflote, Streicher und Generalbass: Allegro | Cologne Chamber Orchestra | C Major | 2 | 8B | 108 BPM | ||
Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Violin Sonata No. 1 in D Minor: IV. Presto - Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3: II. Andante | Johann Stamitz, Musica Viva, Alexander Rudin | B Minor | 0 | 10A | 81 BPM |