Leonard Bernstein, New York Philharmonic's ' "Candide: Overture" was released on its scheduled release date, 1960. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 6 in Bernstein Conducts Bernstein by Leonard Bernstein. Candide: Overture is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Candide: Overture by Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
Keyboard Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 76 BPM | ||
4 Dance Episodes from Rodeo: III. Saturday Night Waltz | Aaron Copland, Leonard Bernstein, New York Philharmonic | E♭ Major | 1 | 5B | 73 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Poco più andante | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 88 BPM | ||
Symphonic Dance No. 3, "Fiesta" | Clifton Williams, Dallas Wind Symphony, Howard Dunn | B♭ Major | 1 | 6B | 146 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | E Minor | 2 | 9A | 67 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Second Suite in F Major, Op. 28 No. 2, H. 106: II. Song Without Words "I'll Love My Love" | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 0 | 5A | 63 BPM |