"English Folk Song Suite: 2. Intermezzo: My Bonny Boy" by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1999. The duration of English Folk Song Suite: 2. Intermezzo: My Bonny Boy is about 3 minutes long, at 3:19. Based on our data, "English Folk Song Suite: 2. Intermezzo: My Bonny Boy" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Orchestral Works by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner, New Queen's Hall Orchestra, Barry Wordsworth, London Philharmonic Orchestra, Sir Adrian Boult. The song's track number on the album is #3 out of 22 tracks. English Folk Song Suite: 2. Intermezzo: My Bonny Boy is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since English Folk Song Suite: 2. Intermezzo: My Bonny Boy by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With English Folk Song Suite: 2. Intermezzo: My Bonny Boy being at 64 テンポ, the half-time would be 32 テンポ with a double-time of 128 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Sea Pictures: IV. Nocturne (Song of the Watch) | Uuno Klami, Turku Philharmonic Orchestra, Jorma Panula | D Minor | 0 | 7A | 75 BPM | ||
Le Rouet d'Omphale, Op.31 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 125 BPM | ||
Suite from The Victorian Kitchen Garden: II. Spring | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 75 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Concerto accademico (Concerto for violin and strings in D minor): III. Presto | Ralph Vaughan Williams, Bradley Creswick/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 3 | 9B | 177 BPM | ||
Serenade in G, K.525 "Eine kleine Nachtmusik": 2. Romance (Andante) | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 143 BPM |