Fernando Lopes-Graça, Carlos de Oliveira, Coro da Academia dos Amadores de Música, Olga Prats's ' "Canções Heróicas: Mãe Pobre" was released on its scheduled release date, January 1, 1974. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 23 in Canções Heróicas / Canções Regionais Portuguesas by Coro da Academia dos Amadores de Música, Fernando Lopes-Graça, Olga Prats. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. Based on our statistics, Canções Heróicas: Mãe Pobre's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Canções Heróicas: Mãe Pobre by Fernando Lopes-Graça, Carlos de Oliveira, Coro da Academia dos Amadores de Música, Olga Prats is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’cha Adonai | The Shaar Hashomayim Synagogue Choir | A♭ Minor | 2 | 1A | 80 BPM | ||
Σε Υμνούμεν | Χορωδία Ι. Ν. Αγίων Κυρίλλου & Μεθοδίου | A Minor | 0 | 8A | 63 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM | ||
Sinking Cities: No. 4, Swim through Windows | Rafael Karlen, Pearly Black, Camerata - Queensland's Chamber Orchestra, The Australian Voices, John Rotar | B♭ Major | 2 | 6B | 103 BPM | ||
Notre Père | Sexteto Cantábile | F♯ Major | 1 | 2B | 84 BPM | ||
Христос от мертвых воста (Седален по 1-ой кафизме) | Хор Киевской Духовной Академии и Семинарии, Дмитрий Болгарский | E Major | 0 | 12B | 99 BPM | ||
Quis dabit oculis?: I. Quis dabit oculis? | Costanzo Festa, The Gesualdo Six, Owain Park | C Major | 0 | 8B | 129 BPM | ||
Requiem, Op. 9: IX. In paradisum | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch | D Major | 0 | 10B | 67 BPM | ||
Responsorios: Animan mean (a 4 v.m.) - Remastered | Schola Cantorum de la Universidad Pontificia de Comillas | B♭ Major | 2 | 6B | 89 BPM |