Johannes Brahms, Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur's 'Violin Concerto in D Major, Op. 77: II. Adagio - Live' came out on January 1, 1997. Since Violin Concerto in D Major, Op. 77: II. Adagio - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 4 in Brahms: Violin Concerto In D Major, Op. 77 / Schumann: Fantasy For Violin And Orchestra In C Major, Op. 131 by Anne-Sophie Mutter, New York Philharmonic, Kurt Masur. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto in D Major, Op. 77: II. Adagio - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Concerto in D Major, Op. 77: II. Adagio - Live by Johannes Brahms, Anne-Sophie Mutter, Joseph Robinson, New York Philharmonic, Kurt Masur is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In E Minor, Op.64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester Leipzig, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": V. Finale. Allegro giusto | Franz Schubert, Emanuel Ax | E Major | 0 | 12B | 125 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 128 BPM | ||
Sonata For Violin And Piano In A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Itzhak Perlman, Vladimir Ashkenazy | G Minor | 2 | 6A | 142 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo | Antonín Dvořák, New York Philharmonic, Alan Gilbert | D♭ Major | 0 | 3B | 87 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | D♭ Minor | 2 | 12A | 133 BPM | ||
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | D Major | 0 | 10B | 169 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Bizet: L'Arlésienne, Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 0 | 5B | 81 BPM |