Johann Sebastian Bach, Sviatoslav Richter made "The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude" available on 1998. With The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Sviatoslav Richter's "J.S. Bach: The Well-Tempered Clavier, Books 1 & 2, BWV 846-893" album is number 5 out of 96. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude by Johann Sebastian Bach, Sviatoslav Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in C minor, H.XVI No.20: 1. Moderato | Joseph Haydn, Alfred Brendel | A♭ Minor | 1 | 1A | 74 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Partita No. 3 in A Minor, BWV 827: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | A♭ Minor | 2 | 1A | 145 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, David Fray, Deutsche Kammerphilharmonie Bremen | G Minor | 2 | 6A | 123 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM |