"Fantasy" by Thomas Tallis, Peter White was released on January 1, 1997. The duration of Fantasy is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Fantasy's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Tallis: Spem in Alium; The Lamentations of Jeremiah etc.". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Fantasy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasy by Thomas Tallis, Peter White having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | B Minor | 0 | 10A | 73 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Magi veniunt ab oriente: I. Magi veniunt ab oriente | Jacob Clemens non Papa, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
Ein feste Burg ist unser Gott in F Major | Melchior Franck, Vox Luminis, Lionel Meunier, Bart Jacobs | C Major | 2 | 8B | 66 BPM | ||
Missa pro Defunctis (1544): Introitus: "Requiem aeternam" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM | ||
The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | B Minor | 0 | 10A | 126 BPM | ||
Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire | Cipriano de Rore, Amarcord | B Major | 3 | 1B | 111 BPM |