"Laudate Pueri: VIII. Sicut erat" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music had its release date on May 24, 2024. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Laudate Pueri: VIII. Sicut erat's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 22 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Laudate Pueri: VIII. Sicut erat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudate Pueri: VIII. Sicut erat by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe du deuxième ton: Agnus Dei | André Raison, Henri Dumont, Michael Burnette, Stephen Eggert, David Heller, Jonathan Perry, Scott Shaw, H. Joseph Butler, Frederick Hohman | A♭ Major | 2 | 4B | 59 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata II ad genua: I. Sonata in tremolo | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra | F♯ Minor | 2 | 11A | 142 BPM | ||
Convocamini, congregamini: No. 5, Franget haec | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
La Maddalena a' piedi di Cristo / 1ère Partie: Recitativo terzetto: Cosi tu divenuta | Giovanni Bononcini, Gini Roberto, Ensemble Concerto, Lavinia Bertotti, Antonella Gianese, Anna Bonitatibus | A♭ Minor | 2 | 1A | 118 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM | ||
Tönet die Freude, belebte Trompeten, TVWV 1:1410: XII. 04 Chor "Amen! Lob und Ehre" | Georg Philipp Telemann, Das Kleine Konzert, Hermann Max, Veronika Winter, Anne Bierwirth, Georg Poplutz, Matthias Vieweg | D♭ Major | 3 | 3B | 101 BPM | ||
Te deum, LWV 55: XIII. Dignare Domine die isto | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
Handel: Coronation Anthem No. 2, HWV 259 "Let Thy Hand Be Strengthened": III. Alleluja | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | F♯ Major | 2 | 2B | 110 BPM |