"Who Cares? (after Gershwin): Somebody loves me" by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee was released on July 27, 2010. The duration of Who Cares? (after Gershwin): Somebody loves me is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Who Cares? (after Gershwin): Somebody loves me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hershy Kay, Simon Lee, John Baltimore's "Kay, H.: Who Cares? [Ballet]" album is number 3 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Who Cares? (after Gershwin): Somebody loves me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Who Cares? (after Gershwin): Somebody loves me by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Pas de Quatre from Aurora's Wedding | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Prelude to the Afternoon of a Faun, L. 86 - Remastered | Claude Debussy, Daniel Barenboim | E Major | 1 | 12B | 72 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | F Major | 2 | 7B | 111 BPM | ||
Cakewalk Ballet Suite (After Music by Louis Moreau Gottschalk): II. 3 Variations - Wallflower Waltz | Hershy Kay, Eugene Ormandy, Philadelphia Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Estancia, Op. 8a: II. Danza del trigo | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | C Major | 0 | 8B | 87 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Grand Canyon Suite: 4. Sunset | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 84 BPM | ||
Tuba Concerto: III. Allegro giocoso | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | G Minor | 2 | 6A | 66 BPM | ||
Hora Staccato - Arr. For Trumpet and Salon Orchestra | Grigoras Dinicu, Matthias Höfs, Hamburg Philharmonic Soloists | E♭ Major | 4 | 5B | 169 BPM |