Ludwig van Beethoven, Wilhelm Kempff's 'Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1: II. Allegro molto e vivace' came out on January 9, 2021. The duration of Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1: II. Allegro molto e vivace is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1: II. Allegro molto e vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 65 out of 193 in Beethoven - Winter Vibes by Ludwig van Beethoven. Based on our statistics, Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1: II. Allegro molto e vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1: II. Allegro molto e vivace by Ludwig van Beethoven, Wilhelm Kempff is Allegro (fast, quick, and bright), since this song has a tempo of 153 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Violin Concerto In D, Op. 61: 2. Larghetto - | Ludwig van Beethoven, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |