"Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo" by Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra was released on September 25, 2015. Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo appears to be safe for all ages as it is not explicit. The song is number 2 out of 4 in Dvorák: Violin Concerto by Antonín Dvořák, Itzhak Perlman. In terms of popularity, Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo by Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Havanaise, Op. 83: Allegro | Camille Saint-Saëns, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": 2. Andante con moto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 170 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Symphony No.4 in D Minor, Op.13, B.41: 2. Andante sostenuto e molto cantabile | Antonín Dvořák, London Symphony Orchestra, István Kertész | D Major | 1 | 10B | 125 BPM | ||
The Ragtime Dance (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | E♭ Major | 2 | 5B | 95 BPM | ||
Beethoven: Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost": I. Allegro vivace e con brio | Ludwig van Beethoven, Jacqueline du Pré, Pinchas Zukerman, Daniel Barenboim | D Major | 2 | 10B | 144 BPM |