Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton's 'Spring Symphony, Op. 44, Part II: Waters Above (Tenor)' came out on April 19, 2024. The duration of Spring Symphony, Op. 44, Part II: Waters Above (Tenor) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Spring Symphony, Op. 44, Part II: Waters Above (Tenor)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 22 in Britten: Spring Symphony, Sinfonia da Requiem, The Young Person's Guide to the Orchestra by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Spring Symphony, Op. 44, Part II: Waters Above (Tenor)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Spring Symphony, Op. 44, Part II: Waters Above (Tenor) by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton is Allegro (fast, quick, and bright), since this song has a tempo of 148 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 5. Polacca; Trio II | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Saint Nicolas, Op. 42: The Birth Of Nicolas | Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra | D Minor | 1 | 7A | 171 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM |