"Ravel: L'heure espagnole, M. 52: "Voilà ce que j'appelle une femme charmante" (Ramiro)" by Maurice Ravel, Armin Jordan, Gino Quilico, Nouvel Orchestre Philharmonique had its release date on January 1, 1987. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Ravel: L'heure espagnole & Don Quichotte à Dulcinée". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Ravel: L'heure espagnole, M. 52: "Voilà ce que j'appelle une femme charmante" (Ramiro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: L'heure espagnole, M. 52: "Voilà ce que j'appelle une femme charmante" (Ramiro) by Maurice Ravel, Armin Jordan, Gino Quilico, Nouvel Orchestre Philharmonique having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: I. Morning Mood (Piano Version) | Edvard Grieg, Cyprien Katsaris | G Major | 3 | 9B | 92 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM |