"La traviata / Act 1: "Un dì felice, eterea"" by Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1977. The duration of La traviata / Act 1: "Un dì felice, eterea" is about 3 minutes long, at 3:25. Based on our data, "La traviata / Act 1: "Un dì felice, eterea"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dame Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge's "Joan Sutherland / Luciano Pavarotti - Love Duets" album is number 2 out of 7. La traviata / Act 1: "Un dì felice, eterea" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La traviata / Act 1: "Un dì felice, eterea" by Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Addio, Sogni Di Gloria | Carlo Innocenzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | G Major | 3 | 9B | 129 BPM | ||
La traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Anthony Laciura, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | G Major | 3 | 9B | 87 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 81 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Marilyn Horne, Wiener Opernorchester, Henry Lewis | D♭ Major | 3 | 3B | 174 BPM | ||
Nel blu, dipinto di blu | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B Minor | 2 | 10A | 131 BPM | ||
La Fanciulla del West / Act 3: "Ch'ella mi creda libero e lontano" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Major | 3 | 2B | 179 BPM | ||
Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM |