La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Enrique Solinís's 'Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar)' came out on 2012. With Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. The popularity of Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gesproken tekst X (6): "De aanspraken van de Zotheid om te midden van de godinnen plaats te nemen" / Muziek: Romanesca (Gitaar) by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Enrique Solinís is Presto (very, very fast), since this song has a tempo of 180 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
Con que la lavare | Miguel de Fuenllana, Shirley Rumsey | C Minor | 0 | 5A | 91 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM | ||
Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Aeterna Christi munera et martyrum victorias | Saint Ambrose, Le Concert Spirituel, Herve Niquet | C Major | 0 | 8B | 70 BPM | ||
Lamentations of Jeremiah I - Ed. Philip Brett | Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury | D Minor | 1 | 7A | 77 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
Suite in D Minor: VII. La poste | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Danza alta | Francesco de la Torre, Accentus Ensemble, Thomas Wimmer | A Minor | 1 | 8A | 140 BPM |