"Sonata No. 1 in G Major: III. Andante" by Georg Philipp Telemann, Angèle Dubeau was released on 1995. The duration of Sonata No. 1 in G Major: III. Andante is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Sonata No. 1 in G Major: III. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Telemann: Sonatas for Two Violins (Sonates Pour Deux Violins)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The popularity of Sonata No. 1 in G Major: III. Andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata No. 1 in G Major: III. Andante by Georg Philipp Telemann, Angèle Dubeau having a テンポ of 163 with a half-time of 82 テンポ and a double-time of 326 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, J-C 14: I. Allegro | Giovanni Battista Sammartini, Milan Classical Chamber Orchestra, Roberto Gini | C Minor | 2 | 5A | 94 BPM | ||
Concerto No. 4 for Violin, Strings & Continuo in E Minor, Op. 1.7: II. Adagio | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Minor | 0 | 9A | 87 BPM | ||
Baryton Trio in A Major, Hob. XI:6: II. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Concerto No. 4 for Violin, Strings & Continuo in E Minor, Op. 1.7: III. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Minor | 3 | 9A | 136 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: I. Largo andante | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Sostenuto Serenity | Mira Solvato | A Minor | 1 | 8A | 101 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Sonata No. 6 for Three Cellos in D Minor: IV. Vivace con brio | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | D♭ Minor | 2 | 12A | 122 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: III. Allegro assai | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM |