"The Passion of Yeshua: II. Pesach" by Richard Danielpour, Matthew Worth, Kenneth Overton, Buffalo Philharmonic Chorus, University of California, Los Angeles Chamber Singers, Buffalo Philharmonic Orchestra, Joann Falletta had its release date on March 13, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 14 in Danielpour: The Passion of Yeshua by Richard Danielpour, Buffalo Philharmonic Chorus, University of California, Los Angeles Chamber Singers, Buffalo Philharmonic Orchestra, Joann Falletta. In terms of popularity, The Passion of Yeshua: II. Pesach is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Passion of Yeshua: II. Pesach by Richard Danielpour, Matthew Worth, Kenneth Overton, Buffalo Philharmonic Chorus, University of California, Los Angeles Chamber Singers, Buffalo Philharmonic Orchestra, Joann Falletta is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
The Enchanted Garden, Preludes Book II: III. Elegy | Richard Danielpour, Christopher Atzinger | D♭ Major | 0 | 3B | 129 BPM | ||
Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Blandine Waldmann | F Major | 3 | 7B | 92 BPM | ||
Prelude: Prelude | George Walker, Walker, George, Ric'key Pageot | B Major | 2 | 1B | 83 BPM | ||
The Passion of Yeshua: II. Pesach | Richard Danielpour, Matthew Worth, Kenneth Overton, Buffalo Philharmonic Chorus, University of California, Los Angeles Chamber Singers, Buffalo Philharmonic Orchestra, Joann Falletta | F Major | 1 | 7B | 91 BPM | ||
Kinderszenen, Op. 15: XII. Kind im Einschlummern | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
The Garden of Curiosities | Aleksander Debicz, Konrad Gołda, Marcin Zdunik, Michał Żak, Łukasz Kuropaczewski | G Major | 3 | 9B | 119 BPM | ||
Piano Sonata No. 28 in A Major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Ludwig van Beethoven, Steven Osborne | E Major | 0 | 12B | 65 BPM | ||
Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Alessio Bax, Lucille Chung | E♭ Minor | 0 | 2A | 130 BPM | ||
Amore traditore, BWV 203: III. Lass dich nimmer von der Liebe berücken "Chi in amore ha nemica la sorte" (Arr. Rummel for Piano) | Johann Sebastian Bach, Jonathan Plowright | A♭ Major | 0 | 4B | 92 BPM |