Tasmanian Symphony Orchestra, Emily Wurramara made "Baby Bear" available on March 3, 2022. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Nightlight". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Baby Bear's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Baby Bear by Tasmanian Symphony Orchestra, Emily Wurramara having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
3 Morceaux, Op. 7: No. 1, Berceuse | Vladimir Rebikov, Rachel Barton Pine, Matthew Hagle | E♭ Major | 0 | 5B | 89 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Benjamin Schmid, Mozarteum Orchestra Salzburg, Hans Graf | E Major | 0 | 12B | 112 BPM | ||
The Carnival of the Animals, R.125: 13. The Swan | Anna Goldsworthy, Janis Laurs, Mark Kruger | G Major | 0 | 9B | 64 BPM | ||
Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) | Academy of St. Martin in the Fields | A Minor | 0 | 8A | 93 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
A Chloris (Arr. For Cor Anglais & Orchestra) | Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | E Major | 0 | 12B | 87 BPM |