Phyllis Taylor Sparks made "Dr John Stafford" available on July 2, 2003. With Dr John Stafford being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 20 in Celtic Harp Sparks! by Phyllis Taylor Sparks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Dr John Stafford is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Dr John Stafford by Phyllis Taylor Sparks is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Studio per il pianoforte, Book 1, Op. 30: No. 26 in G-Sharp Minor | Johann Baptist Cramer, Alessandro Deljavan | A♭ Minor | 1 | 1A | 174 BPM | ||
He Looked Beyond My Fault | Phyllis Taylor Sparks | G Major | 0 | 9B | 99 BPM | ||
Adieu Nocturne No. 1 in A Minor -Adieu- | Carlos Marquez | A Minor | 1 | 8A | 99 BPM | ||
Franz Schubert: Schwanengesang, D. 957: IV. Ständchen (Serenade) [Arr. for Piano Solo by Franz Liszt] | Vadim Chaimovich | D Major | 0 | 10B | 69 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Joshua Bell | G Minor | 2 | 6A | 59 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
The Banks of Green Willow | George Butterworth, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 0 | 8A | 71 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM |