"Studio per il pianoforte, Book 1, Op. 30: No. 26 in G-Sharp Minor" by Johann Baptist Cramer, Alessandro Deljavan was released on June 5, 2012. The duration of Studio per il pianoforte, Book 1, Op. 30: No. 26 in G-Sharp Minor is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Studio per il pianoforte, Book 1, Op. 30: No. 26 in G-Sharp Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 92 in Cramer: Studio per il pianoforte by Johann Baptist Cramer, Alessandro Deljavan, Gianluca Luisi, Giampaolo Stuani. The popularity of Studio per il pianoforte, Book 1, Op. 30: No. 26 in G-Sharp Minor is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Studio per il pianoforte, Book 1, Op. 30: No. 26 in G-Sharp Minor by Johann Baptist Cramer, Alessandro Deljavan is Vivace (lively and fast), since this song has a tempo of 174 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | G Major | 0 | 9B | 91 BPM | ||
Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Cinderella: amoroso, Op.109, No.8 | Sergei Prokofiev, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | C Major | 2 | 8B | 89 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Ravel: Jeux d'eau, M. 30 | Maurice Ravel, Moura Lympany | F♯ Minor | 1 | 11A | 70 BPM | ||
Le rossignol éperdu, IRH 84, Pt. 1: XVI. Les rêveries du Prince Églantine | Reynaldo Hahn, Alessandro Deljavan | E♭ Major | 0 | 5B | 93 BPM |