"Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi" by Jed Wentz, Daniel Reuss, La Licenza, Claudia Patacca, Claron Mc Fadden, Arts Music Recording, Rotterdam, Francine Van Der Heyden, Emilio, Musica ad Rhenum, Costanza, Terence Mierau, Fortuna, Publio, Cappella Amsterdam, Marcel Reijans, Wolfgang Amadeus Mozart was released on March 28, 2007. The duration of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jed Wentz, Daniel Reuss's "Mozart Edition Volume 17" album is number 2 out of 25. Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi by Jed Wentz, Daniel Reuss, La Licenza, Claudia Patacca, Claron Mc Fadden, Arts Music Recording, Rotterdam, Francine Van Der Heyden, Emilio, Musica ad Rhenum, Costanza, Terence Mierau, Fortuna, Publio, Cappella Amsterdam, Marcel Reijans, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 70 BPM | ||
Spängler-Menuett X | Leopold Mozart, Bankhaus Spängler | F Major | 1 | 7B | 131 BPM | ||
Giulio Cesare in Egitto, HWV 17, Atto I, Scena 1: "Viva il nostro Alcide" | George Frideric Handel, René Jacobs, Concerto Köln | A♭ Major | 1 | 4B | 80 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Ah! Se da solo a sola | Gioachino Rossini, Ricardo Seguel, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Minor | 3 | 10A | 141 BPM | ||
Concerto a due cori No. 3, HWV 334: V. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Requiem, Sequentia: I. Dies iræ | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Minor | 1 | 5A | 84 BPM | ||
Thema und Variationen concertante B-dur op.33 (Arie der Mechthilde aus SILVANA J 87 · Romatische Oper in 3 Akten) bearbeitet für Klarinette und Orchester: - Thema | Carl Maria von Weber, Sabine Meyer, Franz Welser-Moest, Franz Welser-Möst, Orchester der Oper Zürich | B♭ Major | 0 | 6B | 71 BPM | ||
Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei dona pacem. Presto | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Traetta: L'Olimpiade, Act 2: "Dove son? Che m’avenne?" (Licida) | Tommaso Traetta, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM |