Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti's 'Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt' came out on May 29, 2020. The duration of Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Elgar: Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major (Excerpt) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt by Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 1 | 3B | 76 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" | Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra | G Major | 0 | 9B | 121 BPM | ||
Vaughan Williams: Symphony No. 4 in F Minor: II. Andante moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | F Minor | 0 | 4A | 139 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM |