Nicola Porpora, Nathalie Stutzmann, Orfeo 55's 'Porpora: Meride e Selinunte, Act II: "Torbido intorno al core" (Ericlea)' came out on January 15, 2021. Since Porpora: Meride e Selinunte, Act II: "Torbido intorno al core" (Ericlea) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 27 in Contralto by Nathalie Stutzmann, Orfeo 55. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Porpora: Meride e Selinunte, Act II: "Torbido intorno al core" (Ericlea) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Porpora: Meride e Selinunte, Act II: "Torbido intorno al core" (Ericlea) by Nicola Porpora, Nathalie Stutzmann, Orfeo 55 is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si dolce è 'l martire | Claudio Monteverdi, Deborah Cachet, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 67 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Pergolesi: Stabat mater: XII. Quando corpus morietur | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Minor | 0 | 8A | 73 BPM | ||
Marcello / Orch Orfeo 55: Oboe Concerto in D Minor, S. D935: II. Adagio [Orch. Orfeo 55] | Alessandro Marcello, Nathalie Stutzmann, Shai Kribus, Orfeo 55 | D♭ Minor | 1 | 12A | 76 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Dido and Aeneas, Z. 626, Act III: Thy hand, Belinda...When I am laid in earth - Bonus Track | Henry Purcell, Sonya Yoncheva, Alessandro De Marchi | F♯ Minor | 0 | 11A | 171 BPM | ||
Wie schön leuchtet der Morgenstern, BWV 1: Aria: Erfullet, ihr himmlischen gottlichen Flammen (Soprano) | Johann Sebastian Bach, Malin Hartelius, Nathalie Stutzmann, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 4 | 2B | 88 BPM | ||
Cleopatra e Cesare (Act 1): Tra le procelle assorto | Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca Quintavalle | E♭ Major | 2 | 5B | 136 BPM | ||
Erhöhtes Fleisch und Blut, BWV 173: Aria: Ein geheiligtes Gemute (Tenor) | Johann Sebastian Bach, Lisa Larsson, Nathalie Stutzmann, Christoph Genz, Panajotis Iconomou, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 112 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM |