"Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2, Op. 101: II. Adagio" by Franz Joseph Haydn, Jacqueline du Pré, Sir John Barbirolli, London Symphony Orchestra was released on October 13, 2017. Since Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2, Op. 101: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "The Heart of the Cello". In this album, this song's track order is #9. In terms of popularity, Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2, Op. 101: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2, Op. 101: II. Adagio by Franz Joseph Haydn, Jacqueline du Pré, Sir John Barbirolli, London Symphony Orchestra having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo | Sergei Prokofiev, David Oistrakh, London Symphony Orchestra, Lovro Von Matacic | D Minor | 0 | 7A | 75 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Brahms: Cello Sonata No. 2 in F Major, Op. 99: II. Adagio affettuoso | Johannes Brahms, Jacqueline du Pré, Daniel Barenboim | D♭ Major | 0 | 3B | 83 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": V. Allegro | Antonín Dvořák, Jan Vogler, Chad Hoopes, Tiffany Poon | F Minor | 2 | 4A | 88 BPM | ||
Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | A Minor | 0 | 8A | 63 BPM | ||
Mozart: Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto (Cadenza by Kissin) | Wolfgang Amadeus Mozart, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 0 | 4B | 141 BPM | ||
Der Einsame, D.800 | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 172 BPM |