"Paganini Variations (Arr. for Two Pianos and Percussion)" by Witold Lutosławski, Safri Duo, Slovak Piano Duo had its release date on October 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 8 in Bartók: Sonatas - Lutoslawski: Paganini Variations - Helweg: America Fantasy by Sven Helbig, Mondëna Quartet, Jörg Brückner, Robinson Wappler, Anne Grethen, Tom Götze, Wide Eyed, Alban Claudin, Safri Duo, Slovak Piano Duo. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Paganini Variations (Arr. for Two Pianos and Percussion) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Paganini Variations (Arr. for Two Pianos and Percussion) by Witold Lutosławski, Safri Duo, Slovak Piano Duo is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": IV. Finale. Molto vivace | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Jeux vénitiens, Pt. 1 | Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu | F♯ Minor | 1 | 11A | 123 BPM | ||
Chantefleurs et Chantefables: VI. La rose (The Rose) | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe | A Major | 0 | 11B | 107 BPM | ||
Tryptyk slaski (Silesian Triptych): III. Kukuleczka kuka | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe | A Major | 1 | 11B | 136 BPM | ||
Verklärte Nacht, Op. 4: Molto rallentando (Takt 100) | Arnold Schoenberg, Orpheus Chamber Orchestra | C Major | 1 | 8B | 87 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Prologue | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 95 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM |