"Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": IV. Finale. Molto vivace" by Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg was released on June 7, 2024. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Prokofiev: Symphony No. 1 "Classical", Suites Nos. 1 & 2 from Romeo and Juliet". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": IV. Finale. Molto vivace is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": IV. Finale. Molto vivace by Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
Symphony No. 3: I. 1. Allegro moderato, maestoso | Aram Khachaturian, Robert Schumann Philharmonie, Frank Beermann | C Major | 3 | 8B | 93 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 1, Die Vorstellung des Chaos | Joseph Haydn, Dresdner Philharmonie, Marek Janowski | B♭ Major | 3 | 6B | 117 BPM | ||
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM | ||
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Variations XV & XVI | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Concerto Grosso: II. Serenata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | A Major | 1 | 11B | 119 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Major | 0 | 9B | 108 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VI. Romeo and Juliet. The Balcony Scene | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Giselle / Act 1: No. 2 Entrée du Prince | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 0 | 8B | 141 BPM |