Jean Sibelius, Håvard Gimse's '6 Impromptus, Op. 5: Impromptu No. 1 in G Minor' came out on August 16, 1999. The duration of 6 Impromptus, Op. 5: Impromptu No. 1 in G Minor is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. 6 Impromptus, Op. 5: Impromptu No. 1 in G Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Sibelius: Piano Music, Vol. 1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 6 Impromptus, Op. 5: Impromptu No. 1 in G Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Impromptus, Op. 5: Impromptu No. 1 in G Minor by Jean Sibelius, Håvard Gimse having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12, Air. Lento | Antoine Reicha, Ivan Ilic | E Major | 0 | 12B | 166 BPM | ||
Piano Trio, Op. 11: 3. Lied. Allegretto | Fanny Mendelssohn, Seraphim Trio | D Major | 1 | 10B | 106 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Pavane, Op. 50 (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Gabriel Fauré, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 81 BPM | ||
Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | G Major | 1 | 9B | 112 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
7 Canciones populares españolas: No. 4, Jota (Arr. Halffter) | Manuel de Falla, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
7 Piano pieces, Op. 11: No. 2. Szekely lament: Rubato parlando | Zoltán Kodály, Andrew Rangell | E♭ Major | 1 | 5B | 64 BPM |