"7 Canciones populares españolas: No. 4, Jota (Arr. Halffter)" by Manuel de Falla, Angela Hewitt was released on July 2, 2021. The duration of 7 Canciones populares españolas: No. 4, Jota (Arr. Halffter) is about 3 minutes long, at 3:10. Based on our data, "7 Canciones populares españolas: No. 4, Jota (Arr. Halffter)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Angela Hewitt's "Love Songs - Piano Transcriptions Without Words" album is number 18 out of 23. On top of that, United Kingdom appears to be the country where this track was created. 7 Canciones populares españolas: No. 4, Jota (Arr. Halffter) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 7 Canciones populares españolas: No. 4, Jota (Arr. Halffter) by Manuel de Falla, Angela Hewitt to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo No. 1 in B-Flat Major (Posthumous) D.593 - Welte-Mignon 915 | Franz Schubert, Paul de Conne, Peter Phillips | D Major | 0 | 10B | 67 BPM | ||
Dolly, Op. 56 (version for piano 4 hands): IV. Kitty Valse | Gabriel Fauré, Eric Le Sage, Alexandre Tharaud | A♭ Major | 0 | 4B | 108 BPM | ||
Preludes, Op. 9, No. 10: Cantabile | Theodor Kirchner, Yaara Tal | C Major | 0 | 8B | 69 BPM | ||
Nocturne No. 4 in A Major, H. 36 | John Field, Michael Landrum | A Major | 0 | 11B | 114 BPM | ||
Valse | Auguste Durand, Philippe Cassard | A Major | 0 | 11B | 165 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: Ie. Var. 4 | Wolfgang Amadeus Mozart, Angela Hewitt | B♭ Major | 1 | 6B | 76 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: If. Var. 5 | Wolfgang Amadeus Mozart, Angela Hewitt | B♭ Major | 1 | 6B | 76 BPM | ||
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Nocturne No.5 in B Flat Major, Op.37 | Gabriel Fauré, Pascal Rogé | B♭ Major | 1 | 6B | 91 BPM | ||
Brahms - Op.117 No.3 Intermezzo C-sharp minor | Elena Kuschnerova | D♭ Minor | 0 | 12A | 67 BPM |