"Verleih' Uns Frieden Genädiglich, Cantate Bwv 42" by Nicol Matt, Soloist Of The Freiburger Barockorchester, Jörg Halobek, Heike Hümmer, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser was released on March 28, 2007. With Verleih' Uns Frieden Genädiglich, Cantate Bwv 42 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 41 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Verleih' Uns Frieden Genädiglich, Cantate Bwv 42 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verleih' Uns Frieden Genädiglich, Cantate Bwv 42 by Nicol Matt, Soloist Of The Freiburger Barockorchester, Jörg Halobek, Heike Hümmer, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Sanctus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | D Major | 3 | 10B | 141 BPM | ||
Alma Dei creatoris in F Major, K. 277 | Wolfgang Amadeus Mozart, Teatro Armonico Stuttgart, Nicol Matt | F Major | 1 | 7B | 78 BPM | ||
Psaume 51 Tilge, Höchster, Meine Sünden, BWV1083, Versus 17-18: Denn du willst kein Opfer haben | Johann Sebastian Bach, Karina Gauvin, Daniel Taylor, Les Violons du Roy, Bernard Labadie | B♭ Major | 1 | 6B | 117 BPM | ||
Missa brevis in D Major, K. 194: VI. Agnus Dei | Wolfgang Amadeus Mozart, Jens Wollenschläger, Gabriele Wunderer, Robert Morvai, Manfred Bittner, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt, Anja Bittner | F Major | 1 | 7B | 109 BPM | ||
Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | A Minor | 2 | 8A | 107 BPM | ||
Sinfonia a cinque in D Major, (G. 3): II. Grave - Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | A Major | 1 | 11B | 124 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM | ||
Messiah, HWV 56: Part 1: His yoke is easy (Chorus) | Nikolaus Harnoncourt | A Major | 1 | 11B | 80 BPM | ||
Wer nur den lieben Gott läßt walten, BWV 434 | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Missa Sancti Spiritus, ZWV 4: Et incarnatus est | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM |