"Missa Sancti Spiritus, ZWV 4: Et incarnatus est" by Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora had its release date on February 14, 2022. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka: Missa Sancti Spiritus - Litanie di Vergine Maria by Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal. The song's track number on the album is #10 out of 29 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, Missa Sancti Spiritus, ZWV 4: Et incarnatus est is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa Sancti Spiritus, ZWV 4: Et incarnatus est by Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Missa Sancti Spiritus, ZWV 4: Et incarnatus est being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 4 in F Major, ZWV 181, 4: I. Andante | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | C Minor | 1 | 5A | 66 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Litaniae de Sancto Xaverio, ZWV 156: Vas electionis | Jan Dismas Zelenka, Kamila Mazalová, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A♭ Minor | 0 | 1A | 94 BPM | ||
Sonata in C Minor for Oboe and Continuo, RV 53: II. Allegro | Antonio Vivaldi, Jan Dismas Zelenka, Stephen Hammer, Myron Lutzke, Nigel North | B Minor | 2 | 10A | 96 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Missa brevis in D Major, K. 194: II. Gloria | Wolfgang Amadeus Mozart, Collegium Classicum Köln, Hilke Helling, Klaus Mertens, Klaus Schneider, Kölner Kammerchor, Maria Zedelius, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
Laudate Pueri: V. Sucitans a terra | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
In Exitu Israel, ZWV 84: No. 2 Simulacra gentium | Jan Dismas Zelenka, Katharina Eberl, Ulrich Weller, Jo Holzwarth, Mathis Koch, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 1 | 10A | 170 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
6 Sonatas, ZWV 81, No. 1 in F Major: III. Larghetto | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin | G Minor | 2 | 6A | 116 BPM |